[Editor's Note: This article originally appeared in the May 2009 issue of Classic Motorsports.]
It lurks in the darkness, creeping around corners and hiding in crevices, threatening to eat your classic alive and bleed your wallet dry. In our hobby, rust is the stuff of nightmares. However, some of our favorite machines—including the Lotus, Corvette and TVR—have been able to sleep a little more soundly. How? They’re made of fiberglass.
When it comes to car construction, fiberglass has many advantages. Aside from being rustproof, this composite material is lightweight and well suited to small production runs. It can also be molded and formed in ways that steel just can’t match.
While fiberglass itself is safe from road cancer, fiberglass-bodied cars are not immune to problems. Older bodies can be riddled with star cracks, accident damage and nicks. Old, unpainted bodies that have been left out in the sun can lose all or part of their gelcoat. Luckily, these issues can be fixed at home, and the material is easy to shape. We admit that the process can be messy, but unlike traditional metalwork, restoring fiberglass can be much less time-consuming.
Understanding What You Have
The work starts with the removal of the old paint and gelcoat; a dual-action sander works well on the exterior surfaces.
Even though fiberglass was invented more than 100 years ago, it didn’t become commercially viable until around World War II. While the 1953 Corvette is widely credited with being the first fiberglass-bodied production car, Bill Tritt was using the material to build his Glasspar sports cars as early as 1949. Fiberglass helped give rise to a new industry of limited-production sports cars. Through the ’50s and ’60s, companies like Berkeley, TVR, Elva, Ginetta and others used fiberglass bodies to turn their dreams into reality.
So, how exactly are these kinds of bodies constructed? Where traditional metal car bodies are created by beating or pressing sheets of steel into a desired shape, fiberglass is more of an arts and crafts project.
The process usually starts by forming a buck into the desired shape of the final product. A mold is then taken from the buck. After the mold is coated with a release agent, a smooth, thick, paint-like layer called gelcoat is applied.
Layers of fiberglass mat and resin are then laid over the gelcoat. This process can be done by hand or with something called a chopper gun. The chopper gun uses compressed air to spray a mix of chopped-up fiberglass mat and resin.
While the fiberglass can yield a slippery shape, it often lacks strength. Most of the time, additional reinforcements are required. Wood or metal is commonly used to bolster high-stress areas like body fastening points. Unfortunately, metal reinforcements are not immune to rusting, and wood can rot.
From the Top
We used an Eastwood Soda blaster for the hidden areas. The soda blaster quickly strips the old topcoat, though it can leave a less-than-smooth finish.
We recently restored a 1959 Berkeley microcar body that exhibited just about every kind of fiberglass problem known to humankind. From star cracks and extra holes drilled for no apparent reason to accident damage and rusted mounting plates, this project had it all. While these various issues require slightly different repairs, they all follow the same basic procedure.
Tim Manders, co-owner of The Body Werks, a high-end auto body shop in Holly Hill, Florida, helped with the project. Tim has been a fiberglass specialist for more than 30 years and has seen just about every kind of horror and injustice levied upon old fiberglass bodies.
As expected, our Berkeley’s gelcoat was trashed. The only thing to do in this situation was remove the gelcoat entirely and get back to the raw fiberglass body.
While fairly straightforward, removing the gelcoat must be done carefully. We slowly and methodically sanded our entire car with 80-grit dry paper on a dual-action sander. This process takes less time than you might think, especially on a small car like a Berkeley.
From there, we used an Eastwood soda blaster to clean the wheel wells and and mounting ears. While a soda blaster can make quick work of removing old gelcoat, don’t use one on the outside body panels. If not done very, very carefully, this method can be too aggressive for exterior panels.
Cut Out the Bad
Fiberglass is easy to cut. Damaged or unneeded sections can be quickly removed with an air-powered cutoff wheel.
Now we could attack the actual damage. Just like metalwork, the damaged areas of fiberglass bodies must be removed before the repair can be made.
We simply cut away any loose or fragmented bodywork, while the holes and star cracks were drilled out to reveal good material. A tapered grinding stone works well for fixing holes, as it leaves clean fiberglass.
To repair the rusted metal mounting plates, we first cut out the offending area. A cutting wheel or saber saw works well here, while a soda blaster can serve as a great cleaning tool. Before mixing up fiberglass for the repair, we fabricated and then painted a new plate.
Blend in the New
The fiberglass mat has no strength until it’s mixed with the resin and activator.
Making fiberglass is a three-part process, and the first two steps include whipping up some resin in addition to the fiberglass itself. The fiberglass material is made up of tiny strands of spun glass and has no strength without the resin. The resin is also very brittle until mixed with the fiberglass mat. Together, they make one of the best repair materials ever invented.
An activator is the last material needed to make fiberglass; it’s used to harden the resin. The weather will dictate the exact type and amount of activator needed, as the stuff is very much heat-dependent. Best results are achieved on days when the temperature is between 60 and 80 degrees Fahrenheit.
The next step is to prepare the body for the repair. Rough up the fiberglass that surrounds the repair and figure out your plan of attack—you’ll most likely need to create some sort of a form or mold to support the fiberglass while it dries.
If it’s a small hole, simply plug the backside with tape. Tim recommends metallic air conditioning repair tape, as standard duct tape will bleed into the repair and make a mess. For larger holes, cardboard can be used to shore up the repair.
Tim showed us some more advanced methods, such as forming body channels from wooden paint sticks. These methods are all rather makeshift, as the remains of the sticks, tape and cardboard can be ground away once the fiberglass is dry.
Depending on how the resin and actuator are mixed, you should have 15 to 30 minutes of shaping time. Once this time is up, the resin will begin to harden and you will no longer be able to work with it. In other words, you need to be prepared to make several repairs at once. Do your taping and molding in advance and then work on multiple repairs until the resin hardens.
Filling and Patching
Repairing a large area? A top layer of tightly woven fiberglass cloth provides strength and a consistent surface texture.
The actual fiberglass comes in a variety of thicknesses and types, each suitable for different kinds of repairs. Fiberglass mat works well on small areas, including channels and places where you need to bend the stuff around a bit. Fiberglass cloth is great for larger repairs and places that require more strength. We used middle-of-the-road No. 8 mat on the Berkeley.
Multiple layers of fiberglass mat will be needed for most repairs, so we started the process by laying several pieces of resin-soaked mat on some cardboard. We then applied the pieces to the body to fill in the damage. Obviously, the goal is to roughly match the body’s original thickness. Don’t be too paranoid about this, though: If you make the repair too thick, you can easily grind back the fiberglass; if you make the repair a little too thin, you can add filler later.
As the mats are laid upon the body, press them into place with a cheap, resin-filled paint brush. The idea is to get the mat totally soaked in resin while also removing any air bubbles. A plastic filler spreader is useful for removing air bubbles from larger strips of cloth.
Once the repairs are dry and you are satisfied with the results, you can grind down the rough edges. At that point, you can go back and fill in any mistakes. Tim also likes to go over a larger repair area with cloth and more resin to build up strength.
This basic process can be slightly modified for specific repairs. For example, we cut up little strands of mat and mixed them directly with resin to fill in an unneeded channel. For minor repairs, we simply cut the mat into small squares and gooped them up with resin.
The process for piecing in a patch panel—like a quarter panel or part of a fender—isn’t too different, assuming you have access to a good donor. First, cut the repair panel from the parts car. Then, cut the same area from the vehicle that’s being restored.
The edges surrounding the repair must then be tapered. This step allows fresh materials to be placed between the two pieces, thus strengthening the repair. Clamp or tape the repair piece to the body and then fiberglass it in place.
Applying the Gelcoat
Finally, a fresh gelcoat gives the fiberglass a smooth, even finish. Gelcoat is thick, so it’s a little rough on the spray gun.
Gelcoat is applied like paint or primer. The stuff is thicker than paint and requires a special gun, but any home enthusiast with access to compressed air and painting equipment should be able to gelcoat a body.
Here’s a trick for applying gelcoat: Use a larger-than-normal tip for the gun and thin the gelcoat with acetone. This will encourage the gelcoat to move through your spray gun. Obviously, you should also use a mask, follow local ordinances, and safely dispose of any unused materials.
Clean Up and Wrap Up
While it’s not difficult, working with fiberglass is very messy. You will need to wear rubber gloves, protect your work area with a drop cloth or old newspaper, and keep the stuff out of your eyes. Grinding fiberglass will also make you itch like crazy, so wear long sleeves, protect your skin, and don’t breathe in fiberglass dust. Acetone, while harsh, will remove fiberglass resin from skin.
Once the fiberglass work is done, finishing the repair follows conventional methods. The gelcoat can then be filled, sanded and painted. Congratulations, mission accomplished.
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Comments
OK, I have a Lotus Europa body that is in good shape overall, but has many many holes that appear to be released air pockets. not really cracks or starbursts, but holes. none go all the way through the glass. Would i fill them with boby filler or glass resin?
Russ Myers.
wspohn
Dork
12/27/18 5:53 p.m.
I owned an early TVR Grantura. The body was bonded straight to the frame and where it wrapped the frame tubes, the metal rotted, so it had to be cut off, the frame repaired and the body remounted. I itched for about 3 weeks after doing that.......
I have always liked glass work. I have learned that when ever possible if you are going to be grinding cutting or sanding it segregate the area as much as you can. For some reason I always end up with ten times more dust than that of “normal” body work.
Very timely. I'm just starting to fix up my Berkeley.
Considering Tim's post was from 2009, I'm not sure how timely it is...
In reply to RussMyers :
You could go either way, but if you glass them in, you must brush some gel coat over tthe repair, before you fill and paint.
In reply to dean1484 :
Dustt, what dust! Seriously, that stuff gets on everything and everybody.
In reply to wspohn :
Too funny! I had to do the exact same repair on a Griffith 400.
In reply to TigerBob86 :
That looks exacrtly like my old berkeley
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