So, for those of you asking about channel or angle, here's the longer explanation.
When rigging to fly in theater, things are a bit different than commercial/industrial. The rules are a little more pragmatic considering you're not hanging a permanent thing like a gantry crane that will be used 18 hours a day for 75 years. We're talking about flying a 400-lb thing for two weeks.
So, consider the picture above of the framing construction. Let's say I need to make a suspended/flying wall that is 24' high and 16' wide. (coincidentally, I just did this exact thing tonight at a local high school) The layout will be 3 of these walls tall and 4 wide. SOP requires that the entire structure be held in compression, not tension. That means the wire rope needs to attach to the bottom of the walls instead of bolting them all together and just picking it up from the top row.
Being able to pass a wire rope down through all 24' of tubing means the entire thing is under compression at the center of their mass. The flats on the 2nd and 3rd row up (even though they're bolted together) are just floating, and entirely suspended along the center of their mass. Theoretically, they don't even need to be bolted together. This does two primary things: 1) makes them hang plumb, which is important when you have 6-8" between the flying pipe and, say, the next pipe full of light fixtures, and 2) removes a moment of force. If I hang from the back of channel or angle, there is a significant amount of weight in front of the wire rope. If the steel were compromised, there is a moment of force that would tend to cause the center of the steel to buckle forward and collapse under its own weight.
With tubing, not only is that moment of force (mostly) removed, if it did start to buckle, it would have to overcome the entire weight of the mass under it in order to keep buckling, as the shortened distance would have to lift the entire wall. Since the weight of one buckling flat is less than the entire wall, it can't buckle.
With channel or angle, I would have to add a pass-through every 4', and since it is overhead lifting, that pass-through has to be forged. So I would be adding a forged eye every 4' to the framing on each plane for the cable. Even then, if it decides to buckle, it has 4' it can freely fall since there is 4' between each eye.
As much as it's nice to say "yeah, but when would that ever happen?"... it happens a lot. An actor bumps a flying set piece on the way up and it swings just 1". The person operating the rope is focused on the rope and has no idea. You get 500 lbs of scenic beauty moving at 15 mph and it whacks another flying thing on the way out.
Does that make any sense?