Apis Mellifera said:
And again, the library deprives a creator innumerable sales. One at a time, true, fair use (whomever gets to define that term), true, but like a piracy site, the consumer has not paid their due. The library has purchased the same DVD I might buy at Wal-Mart, but they are allowed to share it with their friends ad infinitum and a pirate isn't doing the same thing? One is OK and the other isn't, apparently. A clone product doesn't necessarily automatically equate to a lost sale. A consumer could chose to watch a pirated movie or not watch it because they aren't willing to buy a legitimate copy. There is no difference to the creator in those scenarios.
The consumer is going to do *something* at the point in time at which they are or are not going to watch a pirated movie. Maybe there's a movie they're willing to pay for, at which point they are once again participating in the market in which the creator works. Maybe they buy a cheap video game. Maybe they go get ice cream. They interact with the world which we're trying to fix here.
I cannot overstate how strongly I believe that The Market is not some freaking oracle or the right way to decide any number of things that it gets tasked with all too often, but it is bonkers to suggest that there is no material difference between using a pirated artifact and doing nothing. I genuinely have a hard time believing that anybody can argue that in good faith. That it might be acceptable under some circumstances, I can get. That there should be rules that allow this under the right conditions, fine. But the idea that it is functionally identical to no action is the definition of inaccurate. I suspect that this comes back to that tendency not to think about things in terms of hundreds of millions of people taking a particular action.
That also skims over the fact that the library is a special case, that it makes ALL THE DIFFERENCE IN THE WORLD that it can only be loaned out to a small number of people or an individual at a time (if a theater could only seat one person or could seat five hundred and gave one free showing, would there be any difference in who would attend the next showing for $20/seat?).
And maybe that last point is another entry for reason, or maybe it's a bad leap too far (I think we've already had a few "take your idea to its (il)logical conclusion" would-be "refutations"): If you argue that as soon as something can be loaned out by a library, it's effectively the same as being universally available for free, then we will see the immediate end of libraries, because it makes no sense to allow a work to be infinitely duplicated instantly for no compensation. And yet libraries have value, so we want to have rules which both allow the compensation of the creators of works AND allow limited use throttled so as to make it accessible for those for whom that is a reasonable tradeoff, while collecting money from those not willing to wait for availability via the library, or to jump through the particular hoops needed to use it for access. Therefore, we need a set of rules that allows for some reasonable gradient between "Every user ever must pay the original full license fee and existence can be revoked at will" and "Free for all instantly and forever."
Possibly the weirdest thing about this thread, and in some weird way hopeful (for the concept of discourse and progress), is that I think I probably find myself agreeing with Duke as often as I do in this thread (though not completely), since broadly and historically I have the impression we live on opposite ends of the spectrum where emphasizing The Market's role in societal decision making is concerned.
And in Duke's last post (EDIT: too slow, the earlier one where he referenced first assignment or whatever the proper name is) I'm reminded again of my point about arguing what we should do vs arguing what existing rules/laws apply. I believe that to be accurate, but we're talking about using a law from 1976, when even duplication had a significant barrier. We're eventually going to have to address how to appropriately compensate creators without pretending that the world hasn't changed, or trying to ban technology that changes it.
Okay: A convenient and universal micropayment system which allows users to pay that $0.03 to the original artist without paying $0.90 for advertising and administrivia. Maybe $0.05 for bandwidth and server maintenance. The same reassuring facades that require $10 to rent a movie online are the same ones (and only ones) that have the millions of dollars to pump into a blockbuster production, but are also the same ones who will only make what they are sure will be a blockbuster, because they need to recoup that $120M... No unusual ideas, characters, etc... The same reason we have near-spec cars in F1; the show is too lucrative to pass up and too expensive to leave to chance. My numbers are not well thought out, but I think the premise is good. This is part of the resistance to the payments that we make; we do not feel that we are in a free market in many ways; our choices are minimized by the entities which own the channels of distribution. This something the Internet was supposed to help with. And may yet. "Take it or leave it" is a sane legal statement of the issue of someone offering a thing for $X, but society gets to consider whether that should continue to be the case if it doesn't seem right. Contexts change.
The constraints on usage which appear unreasonable to some are part of what has created a backlash that regards almost any price as too high. Software is expensive to write in real person-hours. I'd love to see the math on small game houses. I know my cousin as part of a two-person audio software company isn't overcompensated in any bizarre way that people seem to think is just intrinsic to "owning a software company." My impression is that he makes... software developer money and works very very hard on what he loves working on, which is preferable to taking a larger-money role as a developer doing... e-commerce or what have you. I can feel the truth of the idea that folks stealing his software are cutting into his cats' emergency vet fund. That sounds silly, but I want that to sink in: I think a bunch of folks think that role means that theft might deprive him of an extra Lamborghini, when the reality is that IIRC he drives a 20-year-old Integra and has to actually think about what it costs when one of his beloved cats needs serious care. I'm sure he could drive a newer, nicer car if he cared, but it's not as though he's got so much money flying around that he'd do it on a whim. One of many issues of painting with a broad brush.